Most Searched Artwork #35 Worldwide
A Bar at the Folies-Bergère
Quick Answer
A Bar at the Folies-Bergère is an oil painting by French artist Édouard Manet, completed in 1882 — his last major work, exhibited at the Paris Salon the year before he died. It depicts a barmaid at the famous Paris entertainment venue, standing behind a marble counter covered with bottles and fruit. Behind her, a large mirror reflects the audience and, to the right, a reflection of the barmaid in conversation with a customer. The painting is famous for its impossible mirror reflection and is displayed at the Courtauld Gallery in London.
Public domain — Édouard Manet, 1882. Courtauld Gallery, London / Wikimedia Commons.
At a Glance
- Artist
- Édouard Manet (1832–1883)
- Created
- 1882
- Medium
- Oil on canvas
- Dimensions
- 96 × 130 cm (37.8 × 51.2 in)
- Location
- Room 5, Courtauld Gallery, Somerset House
Find it at
Courtauld Gallery
London, United Kingdom
"Manet's final masterpiece — and a mirror that reflects something impossible"
History & Story
Manet painted A Bar at the Folies-Bergère in 1882, working from sketches made at the real venue and in his studio, where a barmaid named Suzon posed for the central figure. It was exhibited at the Paris Salon of 1882 — the last Salon submission of Manet's life. He was suffering from locomotor ataxia (caused by syphilis) and would die in April 1883.
The painting's mirror reflection has puzzled viewers for over a century: if the mirror behind the barmaid reflects the room, her reflection should be directly behind her — but it appears to the right, showing her in conversation with a man (visible only in the mirror). No logical viewing position accounts for both the frontal view and the mirror image simultaneously. Art historians have proposed that Manet deliberately created an impossible reflection.
Why It Matters
The barmaid's detached, melancholic expression — she serves an anonymous crowd without engaging with it — creates one of the most powerful images of urban alienation in 19th-century art. She is present and absent simultaneously: physically there, psychologically elsewhere. The impossible mirror may be read as Manet's comment on representation itself — the painting always shows us only part of the truth, never the complete picture.
Key Facts & Figures
Common Questions About A Bar at the Folies-Bergère
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