Most Searched Artwork #47 Worldwide
Haystacks
Quick Answer
Haystacks (or Stacks of Wheat) is a series of twenty-five oil paintings by French Impressionist Claude Monet, created between 1890 and 1891. Each depicts the same haystacks in a field near his home at Giverny, Normandy, under different light conditions, times of day, and seasons. The series is the first of Monet's major serial paintings and is considered the founding moment of painting as a meditation on time and perception. Multiple versions are in major collections; the Art Institute of Chicago holds six.
Public domain — Claude Monet, 1890–1891. Private collection / Wikimedia Commons.
At a Glance
- Artist
- Claude Monet (1840–1926)
- Created
- 1890–1891
- Medium
- Oil on canvas
- Dimensions
- Various — typically 65 × 100 cm
- Location
- Gallery 241, Art Institute of Chicago
Find it at
Art Institute of Chicago
Chicago, United States
"The same haystacks, 25 times — the series that invented serial painting"
History & Story
Monet began the Haystacks series in the summer of 1890, working in the fields near Giverny. He reportedly asked his stepdaughter Blanche to carry additional canvases so that as the light changed he could switch from one canvas to another, capturing each moment before it shifted. He worked on the series through the winter, spring, and summer of 1891, accumulating over 25 canvases.
The series was exhibited at the Durand-Ruel gallery in Paris in May 1891 — all fifteen exhibited sold within three days. Pissarro wrote to his son that the exhibition was a 'magnificent success.' The young Wassily Kandinsky saw one of the paintings in Moscow and was so struck by the subject's dissolution in light that it began his journey toward abstract painting.
Why It Matters
Haystacks invented serial painting — the idea that the same subject, painted repeatedly under different conditions, could reveal the infinite changeability of light and perception rather than the fixed 'truth' of the motif. Monet was not trying to capture the haystacks but to capture time passing over them. This shift from the object to the conditions of seeing the object was the founding insight of modern abstract art: the painting's subject is experience, not the world.
Key Facts & Figures
Common Questions About Haystacks
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