Most Searched Artwork #30 Worldwide
Luncheon of the Boating Party
Quick Answer
Luncheon of the Boating Party is an oil painting by French Impressionist Pierre-Auguste Renoir, created between 1880 and 1881. It depicts a group of Renoir's friends — artists, models, critics, and socialites — finishing a meal on the canopied terrace of the Maison Fournaise restaurant at Chatou on the Seine, west of Paris. The painting combines Renoir's most accomplished figure painting with the dappled light and joyous mood of high Impressionism. It is in the collection of The Phillips Collection in Washington D.C.
Public domain — Pierre-Auguste Renoir, 1880–1881. The Phillips Collection / Google Art Project / Wikimedia Commons.
At a Glance
- Artist
- Pierre-Auguste Renoir (1841–1919)
- Created
- 1880–1881
- Medium
- Oil on canvas
- Dimensions
- 129.9 × 172.7 cm (51.1 × 68 in)
- Location
- Music Room, The Phillips Collection
Find it at
The Phillips Collection
Washington D.C., United States
"The most joyful painting in Impressionism — a sun-soaked gathering of real friends captured at peak happiness"
History & Story
Renoir painted Luncheon of the Boating Party over several months in 1880–1881, gathering his friends and models at the Maison Fournaise restaurant at Chatou — a popular boating destination on the Seine. The models included his future wife Aline Charigot (holding the small dog at the lower left), the art critic Jules LaForgue, and the actress Ellen Andrée. Renoir's friend Gustave Caillebotte (another Impressionist painter) appears in the lower right corner.
The painting represented a technical tour de force: combining portrait-quality likenesses of 14 specific individuals with Impressionistic light on the food, wine, and striped awning — all in a composition of apparent spontaneity that required months of careful arrangement. Duncan Phillips purchased it in 1923 for $125,000 — the most he ever paid for a single work and still the centrepiece of his Washington collection.
Why It Matters
Luncheon of the Boating Party is the high-water mark of Renoir's Impressionism — the painting in which his talents for capturing light, human pleasure, and individual character converge most completely. The almost overwhelming profusion of detail — wine glasses, half-eaten fruit, the various expressions of the guests — never becomes chaotic because Renoir's compositional instinct holds everything together. It is also a historical document: these were real people at a real moment in 1880s Paris.
Key Facts & Figures
Common Questions About Luncheon of the Boating Party
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