Most Searched Artwork #37 Worldwide
Olympia
Quick Answer
Olympia is an oil painting by French artist Édouard Manet, created in 1863 and exhibited at the Paris Salon of 1865, where it caused enormous scandal. It depicts a nude woman reclining on a bed, attended by a Black maidservant who holds a bouquet of flowers. The woman — modelled by Victorine Meurent — stares directly at the viewer. The painting is at the Musée d'Orsay in Paris and is considered the painting that began Modernism — the moment a nude woman stopped being a goddess and became a real person.
Public domain — Édouard Manet, 1863. Musée d'Orsay, Paris / Google Art Project / Wikimedia Commons.
At a Glance
- Artist
- Édouard Manet (1832–1883)
- Created
- 1863
- Medium
- Oil on canvas
- Dimensions
- 130.5 × 190 cm (51.4 × 74.8 in)
- Location
- Level 5, Musée d'Orsay
Find it at
Musée d'Orsay
Paris, France
"The nude who looked back — and caused the most controversial exhibition in Paris Salon history"
History & Story
Manet based Olympia on Titian's Venus of Urbino (1538), deliberately invoking the reclining nude tradition while stripping away all its mythological justification. Where Titian's Venus is soft-lit, ideally proportioned, and passive, Manet's model is harshly lit, frankly contemporary, and confrontational. The exhibition at the 1865 Salon provoked outrage — the press described it as pornographic, and the crowd had to be kept back from the painting by guards.
The scandal was partly about the model's direct gaze — reclining nudes were acceptable if they represented Venus or a mythological figure; an identifiably real woman meeting the viewer's eye transformed the erotic transaction. The painting was accepted by the French state and entered the Louvre in 1907; it transferred to the Musée d'Orsay in 1986.
Why It Matters
Olympia is the founding work of modern art — the moment painting acknowledged its own artifice and the real social conditions of its production. By painting a contemporary Parisian woman rather than a goddess, by flattening the perspective and eliminating idealised anatomy, Manet forced the viewer to acknowledge what they were actually looking at. This refusal to deceive — to offer a comfortable mythological fiction — is the beginning of the modernist project.
Key Facts & Figures
Common Questions About Olympia
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